The play is all about romance and unrequited (and requited) love. It's a waltz in twilight. It's sensual and emotional. And I often play funny ladies who pull funny faces.
So on the audition form, I wrote I'd like to be the funny lady most (dry, droll, kinda bitchy - but most of that comes from covering up and coping with emotional pain). And I'd never done that before - actually specified a role preference like that on an audition form. It felt presumptuous, but it also felt presumptuous to put the larger role first as I have some schedule conflicts. Thing is, I like them both - they're spectacular and complicated and wear frilly dresses, or maybe even floor-length velvet (which is a big thing for me).
Anyway - then I read for the less-than-funny lady, the larger role Actually, I sang her main song. The big song. And I cried. And I can't remember ever crying during an audition before (I can remember crying sometimes after), but cry I did.
I'm not entirely sure where this post is going, other than I entered the worlds of two women this evening who have very different agendas, needs, and wants. And I ended up liking them both equally. And I felt their pain. And excitement. And desires. And souls.
And I've never had that happen to me before; to see so clearly how a tarot card can act as the significator for not only myself, but two fictional characters. All in the course of one twilit night.
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